Leken i antropocen: Skräpestetik i Barbro Lindgrens Loranga, Masarin och Dartanjang (1969) och Loranga, Loranga (1970)
Title: Play in the Anthropocene. Waste Aesthetics in Barbro Lindgren’s Loranga, Masarin och Dartanjang (1969) and Loranga, Loranga (1970)
The article examines the ecological and aesthetic dimensions of trash in Barbro Lindgren’s children’s books Loranga, Masarin och Dartanjang (1969) and Loranga, Loranga (1970). It investigates how Lindgren develops a waste aesthetics by inscribing the child, the play, and the children’s book in a contemporary environmental critique of waste disposal. I argue that her aesthetics differs from the established image of political children’s literature around 1968.
The article contributes to the growing field of waste studies, a research area intertwined with material ecocriticism and modernity studies. Stories that connect waste with play and fantasy have the ability to work as counter-narratives and bridge the gulf between human culture and non-human nature. In a traditional environmental discourse nature is configured as a passive victim of exploitation and contamination. These kinds of narratives are performative in their disenchantment of the human-nature relationship, and perpetuate alienation and disinterest. Lindgren’s waste aesthetics, on the other hand, encourages a productive relationship to trash and Loranga, Masarin och Dartanjang and Loranga, Loranga are examples of counter-narratives.
Authors retain copyright of their work, with first publication rights granted to The Swedish Institute for Children's Books. However, authors are required to transfer copyrights associated with commercial use to the Publisher.